Posts Tagged ‘MOLA

08
May
20

“Forbidden Art”


Artist Eriberto Oriol is a maverick in his art. He has been photographing graffiti for many years; long before it was trendy, hip, safe, and accepted in the fine art world. It is the spontaneity of graffiti’s energy of being in the moment that has attracted him to this art form.
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For some graffiti is a forbidden art form since some of the murals are in remote out of the way places in areas where only a few people would dare to travel. It is also NOT accepted and banned as fine art by many in the established art world.
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Yet, as in most things that are forbidden, banned, or prohibited, it is what helps make Eriberto’s work in graffiti, like he is providing a FORBIDDEN FRUIT to the arts.
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This mural is a collaboration of graffiti artists Nychos and Saturno.

Check some of the “Big Bau Wow’s” of the streets of Los Angeles in “WE GOT GRAF” archives page at ForbiddenArtLA.com.

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Photos by Eriberto Oriol. Text and posting by Angelica Oriol.

ForbiddenArtLA.com.

#graffiti #graffitiart #nychos #lagraffiti #saturno

09
Apr
20

“L A Originals” on Netflix this Friday


Angelica and I are very proud of both Estevan and Cartoon, as they have been unwavering in pursuit of their goals against many odds.



This Friday 10th on Netflix Worldwide Premier of “LA Originals.” Thank you for your support.

Photo by Eriberto Oriol
ForbiddenArtLA.com

After you watch the “L A Originals” you can come back and leave your comments.

28
Mar
20

“The Forgotten?” by artist Eriberto Oriol


“The Forgotten?” is part of the Crazy Sauce / Salsa Loca is a series of new works by artist Eriberto Oriol.

“The Forgotten?” by Eriberto Oriol

“The Forgotten?” by Eriberto Oriol

The beauty of this series is the spontaneity and characters that seem to reflect bewilderment from the incoherence events of our contemporary world of politics, economics and environmental crisis.

 

The dream is to be able, to tell the TRUTH, and forge a new pathway for the world that is about human kindness, caring, sharing and creating a world that never was before.

Crazy Sauce / Salsa Loca
text by Angelica Oriol

27
Mar
20

Crazy Sauce / Salsa Loca series of new works by artist Eriberto Oriol


Text by Angelica Oriol

“What is Going on?” is part of the Crazy Sauce / Salsa Loca is a series of new works by artist Eriberto Oriol. He sees being an artist as a privilege to be able to express the magic of his imagination through his work.

The beauty of this series is the spontaneity and freedom he expresses in his stokes and color pallet. The characters seem to reflect the bewilderment of the incoherent madness of events that are part of our contemporary life in a world of politics, economics and environmental crisis.

Crazy Sauce / Salsa Loca

Crazy Sauce / Salsa Loca is a series of new works by artist Eriberto Oriol.

The dream is to be able, to tell the TRUTH, and allow the use of our creativity and imagination to take us beyond and forge a new pathway for the world that is about human kindness, caring, sharing and creating a world that never was before.

 

ForbiddenArtLA.com

 

 

26
Jun
19

Eriberto Oriol In Drago’s “The Street is Watching”


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America’s Most Wanted by Eriberto Oriol

Drago’s Publishing Rome Italty

https://www.instagram.com/p/BzLIUp1o5Ut/…

06
Jun
19

Julie Rico Art Review on artist Eriberto Oriol


Eriberto is a Los Angeles based painter he creates work with a Latin world ethos. A confluence of European and Indigenous Indian cultures.

The term “Cosmic Race”, is brought to mind in this work, coined by Jose Vasconcelos a Mexican philosopher. Vasconcelos believed that nationality and race is transcended by Latin Americans with their Asian-descended native Americans, European and African heritage. You can see in Oriol’s work the same kind of merging of cultures.

 

Dante's Inferno painting by Eriberto Oriol

Dante’s Inferno painting by Eriberto Oriol

 

Oriol provides us a reflection of the indigenous dream like state. The dreams that brought wisdom and guidance to the tribe were achieved with the ceremonial use of alkaloids such as Peyote or Ayahuasca. The skillful interpretation that Mr. Oriol achieves in his work reflects the forces of the universe as it affects our collective journey into the unconscious. At the same time the colors the painting techniques emphasize European influences.

The work is not easy. Like Picasso’s Guernica that shows the tragedy of war. The internal struggle is what is emphasized in Mr. Oriol’s work. We feel the power we have within ourselves with this work.

Many of the works are clearly phallic. Just prior to the sexual revolution in the 60’s and 70’s American art was overly affected by Christian values of the Puritans. The phallus was usually hidden not exposed as in Mr. Oriol’s paintings. The sexual revolution allowed the phallus to show up in sculptures and other contemporary art. Look at work by Louise Bourgeois and Andy Warhol. Surely, this affected Mr. Oriol a product of that time.

But let’s go back even further to pre-Columbian times where we see references to the phallus as an important cultural icon to the indigenous populations all over the world. The influences of pre-Columbian art cannot be denied in this work. The paintings are not always pleasant. They are; however, wondrous and terrifying and beautiful portraying dream likes states of mind.

As was the intention of the Indigenous their dreams were meant to help the community at large. It is the same with Mr. Oriol’s work. He may want us to see the hidden power of our animal nature. As witnesses to our hidden power in the paintings, will we be overcome the angst, the sometimes powerlessness we feel in our daily lives. The power of the phallus is in our DNA, we cannot separate ourselves from our animal nature. Contemplation is key to our understanding of our place here in the world. Mr. Oriol’s paintings help us see an inner world.

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Julie Rico is an artmuse and has had her own galleries representing many artists including:  Jean Jacques Bastarache, Salomon Huerta, Treiops, Ed Big Daddy Roth, Stanley Mouse, Bill Plympton, Lama Lhanang, Mark Bryan, Dennis Larkins, Craig Stecyk, Robert Williams, Patssi Valdez, Diane Gamboa, Timothy Leary, Michael McMillan, Kai Bob Cheng, Ray Zone, Von Dutch, Einar and Jamex de la Torre, Brian Tortora and about 100 or more artists.

 

 

 

 

 

 

23
Apr
19

“Small DIC tator” Text by Angelica Oriol


“The “Small DIC tator ”

This is one of the paintings in “Are We Dancing with A Madman?” series by artist Eriberto Oriol.

The “Small DIC tator ” painting reminds me of how throughout history we have seen insecurities, fears and the insatiable greed dictate violence and hate on people who possessed the wealth that the Empire wanted. Resources such as the land, its’ people, oil, minerals, diamonds, and water have often been a threat to the peace and sovereignty of that country.

“Small DIC tator” Text by Angelica Oriol

Eriberto does not try to paint work that deals with social issues and does not care to find meaning in his work. However, it is through our conversations that my writings emerge. It makes me wonder if in a “redactive” world, would there be room for artists such as Alfredo Siqueiros with his mural “America Tropical,” Goya’s “Los Caprichos,” or for other artists that encourage a public dialogue of our collective consciousness?

As artists, we often see what others do not see.  For some, our journey is a quest for a moral life and social change. The dream is to be able to tell the TRUTH, use our creativity and imaginations to take us beyond the basic purpose of art; forge a new pathway for a world that would be about human kindness, caring, sharing and to create a world that never was.

Save these DATES: June 14 and June 28, 2019

 

 

 

 

 

04
Apr
19

“They’re There for The Taking” painting by Eriberto Oriol


“They’re There for The Taking” is one of the social commentaries paintings in “Are We Dancing with A Madman?” series by artist Eriberto Oriol.
While women have much to contribute, for the most part, global societies have assigned restrictive roles that limit their potential. In this metaphorical painting, the artist is being brutally honest in questioning the predator/prey type relationship.
The furry body emphasizes how women are viewed as an animal and are subject to the hunt whether they like it or not.
The insect-like image symbolizes the pest that means to destroy or harm. Is this a hopelessness human behavior of a patriarchal world? Can we get over the repugnance correlation of women like animals in the food chain?
Artist Edgar Degas once said, “Art is not what you see, but what you make others see.” If this painting facilitates a discussion that acknowledges this behavior, maybe we can empower ourselves and make plans to stand differently in this world.
Save these DATES:
June 14 and June 28, 2019
21
Mar
19

“Cruzando LA Fontera/Crossing the Border” by artist Eriberto Oriol


“Cruzando LA Fontera/Crossing the Border” is one of the social commentaries paintings in “Are we dancing with a Madman?” series by artist Eriberto Oriol.
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For most people, crossing the border may be as simple as walking or driving across, however for an undocumented woman with little or no resources, it can be a treacherous journey.
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In this painting, the woman’s body has no arms or feet that maybe speak to the vulnerability and mutilation women around the world face in overcoming barriers not just in crossing borders. The textured body shows cuts and scratches that seem to emphasize the strenuous violent efforts she faces in this most difficult situation.
The image of a nopal/cactus with nails protruding on her crouch offers an interesting dichotomy. On one hand, the cactus represents strength, however in the same way as the cactus has thorns to protect the plant, maybe this type of armor could protect a woman from being raped. The roots from the cactus magnify how women are often uprooted by war, poverty, and violence.
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For Eriberto, the red-earth color face represents fertility and women’s bond with the earth. The woman’s beautiful stylized braids may also symbolize the rich cultures that these women usually represent. The stepladder is not only helping her to get over the barrier but it may also communicate a cry for help? The stark white background makes the issue very clear.
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Eriberto does not set out to paint these images or themes; he just gets in his creative zone and allows his characters to emerge. He realizes that by tapping into his creativity zone, it deepens the mystery and the magic in his art.
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Text by Angelica Oriol
07
Mar
19

War Baby painting in “Dancing with a Madman Series” artist Eriberto Oriol


War Baby, is a painting that depicts the atrocities of the war in a similar way as Francisco Siqueiros painting “The Echo of a Scream;” both paintings talk about the pain and horror of war.  The dark nightmarish colors and hollow eyes of the naked child show the despair and fear of being all alone, vulnerable to abuse and an uncertain future without hope.  It is a common dehumanizing timeless theme of war that speaks of inevitable pain, suffering, and intense sorrow.

 

 

Children are wars greatest victims and this bold painting seems to have captured the horrific grief and misery of war.  For an artist like Eriberto, trying to make sense of war is like the madness of “Dancing with a Mad Man.”  Is it time to make radical changes in our thinking? The implications for humanity are catastrophically alarming.

 

This is a series of paintings with social commentaries that speak of the rage of power and the screams of victims and invisible erased souls begging not to be forgotten.

 

 




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