Posts Tagged ‘art drawings

04
Apr
19

“They’re There for The Taking” painting by Eriberto Oriol


“They’re There for The Taking” is one of the social commentaries paintings in “Are We Dancing with A Madman?” series by artist Eriberto Oriol.
While women have much to contribute, for the most part, global societies have assigned restrictive roles that limit their potential. In this metaphorical painting, the artist is being brutally honest in questioning the predator/prey type relationship.
The furry body emphasizes how women are viewed as an animal and are subject to the hunt whether they like it or not.
The insect-like image symbolizes the pest that means to destroy or harm. Is this a hopelessness human behavior of a patriarchal world? Can we get over the repugnance correlation of women like animals in the food chain?
Artist Edgar Degas once said, “Art is not what you see, but what you make others see.” If this painting facilitates a discussion that acknowledges this behavior, maybe we can empower ourselves and make plans to stand differently in this world.
Save these DATES:
June 14 and June 28, 2019
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14
Mar
19

Nocturnal paintings in the series “Dancing with a Madman” by artist Eriberto Oriol


Nocturnal is a beautifully textured background painting with the color blue being more dominant. The main character not only has four breasts but it also has two penises. What could this artist have been thinking? Eriberto does not try to find meaning in his work; he just gets in his creative zone and allows his characters to emerge.

In his paintings, he seems to be embracing the symbols of ancient civilizations and mythology that have influenced him and his art. Even though breasts and penises seemed to have been a taboo in our society, these symbols are sacred icons of mythology and of goddesses in other cultures, for instance, Japan has a Penis Festival and in Bhutan penises are worship. Click on links for information on the festival in Japan and Bhutan.

Some cultures have made the goddess of women who had more than two breasts. The Hatuibwari dragon of Melanesia had four pendulous breasts, which serve to feed and to nourish all the living. The goddess Meenakshi at the Temple Madurai had three breasts; she symbolized courage and power that challenged sexist notions of the world. The people of India believe she was bold, brave and considered herself equal to men.

 

In this painting, you will see that Eriberto is also using penises not as phallic symbols, but as symbols of power. He believes that the three Calaveras speak more about the violence and death of people caused by the abuse of power. It speaks of human truths, fears, and nightmares of seemly invisible erased souls begging not to be forgotten. He hopes that these powerful characters startle people out of their daily routine and question the sanity of greed and power and appreciate the art of artists in tune with the creative force of the universe.

Text and photo by Angelica Oriol

28
Feb
19

Are we dancing with a Madman? – Perros painting by artist Eriberto Oriol


“Perros” is one of the social commentary paintings in the series “Dancing with a Madman” by artist Eriberto Oriol.

In this painting, “Perros” Eriberto is not talking about the furry animals some call best friends nor would he insult these creatures to have the character traits that these dogs symbolized in this painting.

Puppies, chicks, and babies in general, are not born knowing how to hate or how to be violent. They are not just operating out of instinct, they are taught to be violent. However, these animals have been used as vicious weapons for mass destruction and brutal cruelty throughout history around the world. “The Dogs of the Conquest” by John Grier Varner and Jeannette Johnson Varner is just one of the stories of the horrific acts of cruelty and violence committed on those who had the resources the empire wanted.

The human-like faces in this painting seem to be communicating haunting moments of human life with a sort of an apocalyptic flare that is defiant and yet provoking.

In this painting, the spots just like in the cheetah distract their prey and camouflage them so they can blend or hide; the spots on the dogs in this image seem to represent the mask of camouflage of individuals who try to conceal their dominance and violence over their prey.

I think when artists discuss these dark moments it is because they see a giant alarm screaming what is blatantly oblivious. However, for some, this violence is invisible. All around the world, brutal violence is occurring because the empire wants the indigenous people’s resources and their land. Maybe this is the viciousness that the “Perros” painting is trying to communicate.

Humanity has been bestowed with the greatest gift of all time, imagination, for it has the power to change the world. For Eriberto, the dream is that the skies would get bluer, birds would start to sing again, and the glaciers would stop melting. In Spanish we say, “El Sueno del artista, es que el cielo se vuelva mas azul, los pajaros comienzen a cantar de nuevo, y los glaciares dejen de derretirese.

Text by Angelica Oriol

15
Feb
19

Are we dancing with a Madman?


This is a series of paintings with social commentaries that speak of the rage of power, the screams of the victim and invisible erased souls begging not to be forgotten. “The Rage of Power” is one of the social commentaries paintings in the series “Dancing with a Madman” by artist Eriberto Oriol.
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When I first saw this painting it made me think of the main character’s rage and how women have been more vulnerable in war, politics, and power just because they have a pussy, at least this is my interpretation.


Of course, this is not what this artist set out to paint; his images come from his creative zone that he allows to take charge and he just paints. In this powerful painting, the image speaks of the rage of power with an abrasive grab that symbolizes dominance and violence.
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He uses the color pink to tease the viewer into arousal and maybe to emphasize the power that these images represent. Eriberto knows that since the beginning of time, people with power and money have had a significant impact on society when they have allowed their greed and insecurity to get the best of them.
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Through his paintings, Eriberto is helping us see what others at times do not see. He allows the creativity of his imagination to be seen in his work. Historically that is what artists have done.
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Artists such as Francisco Goya’s etchings “Los Caprichos” and Pablo Picasso’s with “Guernica” documented some of the cruel and inhuman events of the war, greed, and power. Some felt that these bizarre paintings were a sign of madness, completely off the wall because they were different from everyone else’s. I would argue that these artists were really in tune with the creative force of the universe.
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SAVE THIS DATE: June 14, 2019
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Photos and text by Angelica Oriol

12
Feb
19

Are we dancing with a Madman?


This is a series of paintings with social commentaries that speak of the rage of power, screams of victims and invisible erased souls begging not to be forgotten.

“The Rage of Power” is one of the social commentaries paintings in the series “Dancing with a Madman” by artist Eriberto Oriol. more text below

 

Rage of Power by Eriberto Oriol

 

When I first saw this painting it made me think of the main character’s rage and how women have been more vulnerable in war, politics, and power just because they have a pussy, at least this is my interpretation.

Of course, this is not what this artist set out to paint; his images come from his creative zone that he allows to take charge and he just paints. In this powerful painting, the image speaks of the rage of power with an abrasive grab that symbolizes dominance and violence.

He uses the color pink to tease the viewer into arousal and maybe to emphasize the power that these images represent. Eriberto knows that since the beginning of time, people with power and money have had a significant impact on society when they have allowed their greed and insecurity to get the best of them.

Through his paintings, Eriberto is helping us see what others at times do not see. He allows the creativity of his imagination to be seen in his work. Historically that is what artists have done.

Artists such as Francisco Goya’s etchings “Los Caprichos” and Pablo Picasso’s with “Guernica” documented some of the cruel and inhuman events of the war, greed, and power. Some felt that these bizarre paintings were a sign of madness, completely off the wall because they were different from everyone else’s. I would argue that these artists were really in tune with the creative force of the universe.

SAVE THIS DATE: June 14, 2019

Text by Angelica Oriol

10
Jul
18

CANCER: Stage 4


 

In this artwork, artist Eriberto Oriol captured the intense emotions that I was going through at the time when I found out that I had breast cancer. Nothing prepares one for moments like these.

This was back in August 1994. I kept asking myself questions like, “What did I do to get this cancer? What do I do now? Why me?”

I remembered a therapist saying to me, “Angelica get a hold of yourself, the fear of cancer will kill you sooner than cancer.” I said to myself, “That is easy for her to say.” But she was right.

They say that some of the most powerful works of art emerge from an artist’s darkest moments. In this piece, you can see the strength in Eriberto’s art.

 

 

He was able to capture the intensity of emotions and sheer determination to live in those eyes – all my emotions are on and running!

In much of Eriberto’s work, it is in his characters that seem to reflect haunting moments of human life that resonate the fears and emotions most experience.

His work also shows the strength, tenacity, and integrity of his character as a human being and as an artist.

Photo and text by Angelica
Artwork mixed media by Eriberto Oriol

* For more details on of some of his accomplishments, samples of Eriberto’s painting and list of art collectors GO TO ABOUT in ForbiddenArtLA.com.

21
Jun
18

Did you kill the song?


When you kill the bird, you kill the song. As it would be, when you kill the person’s spirit you kill the soul and their song.
In this painting, “The Ravages of Greed and Power,” the artist
Eriberto Oriol seems to capture the characters’ pain and anguish of their dying souls.

Did you kill the Song?

He hopes that these powerful characters startle people out of their daily routine and question the sanity of greed and power.
Most of the time Eriberto does not want these faces to come in his paintings. He prefers that he could just paint without the psychological trips.
Why do artists do this? El Greco felt that the spirits whispered madly in his ears. For artists like Francis Bacon and Edvard Munch, some felt that their disturbing paintings were a sign of madness and that these artists were completely off the wall.
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Eriberto feels it is a privilege to have the unique distinction of being an artist that allows him to see the world that is not always obvious.
His dream is that the sky would get bluer, that the birds would start to sing again, and the glaciers stop melting.
In Spanish we say, “El Sueno del artista, es que el cielo se vuelva mas azul, los pajaros comienzen a cantar de nuevo, y los glaciares dejen de derretirese.
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Text by Angelica
Painting by Eriberto Oriol
Go to our Blog: ForbiddenArtLA.com to see artwork available.



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